A lot of stuff and things I did in the last week, ranked from worst to best. Note that I watched a lot of wrestling. #DealWithIt
WORST: WWE NXT episode 271: This is the second time I've tried NXT, the WWE's developmental show. Wrestling nerds rave about, but I don't quite get the hype to be honest. It all felt very flat and unpolished (as should be expected from wrestlers still learning their craft) and the legendarily fanatic NXT crowd was subdued. Nothing kills a wrestling show faster than a dead crowd. I'll give it a few more weeks to grab me, but at the moment I find it terribly dull.
The Punisher (2014) #7-10 written by Nathan Edmondson, drawn by Mitch Gerads: I only read these a week or so ago, and I barely remember anything about them. They're not bad comics; in fact they're quite competently done, and I was entertained while reading them. They just weren't memorable comics. I'd rather a comic to be memorably terrible than competently forgettable.
WCCW Parade of Champions 1984: I'm doing a chronological trip through wrestling history, starting in the early 1980s, and this was the second show I watched. It's full of the tedious back-and-forth clubbing that old-timey wrestling tends towards, but a couple of matches saved it. I got my first ever glimpse of the Freebirds, who are glorious mid-80s southern trash. Michael Hayes' bleach-blond mullet is a thing of beauty. The card finished with a championship bout between Ric Flair and Kerry Von Erich, and that was also a good, technical match. I wouldn't recommend it for anyone who isn't already super into 80s wrestling, though.
NWA Starrcade 1983: More old-timey wrestling! This was the first thing I watched in my wrestling chronology, and I enjoyed it a lot more than I have other shows from this era. It was surprisingly bloody, and the hot crowd made everything feel like a big deal. Ric Flair and Harley Race put in a pretty good championship match, and the Roddy Piper/Greg Valentine match was probably the best thing I've seen either men involved with. (Wait, hang on. Piper was in They Live, so I have to strike that statement.)
The Walking Dead season finale: Season five closed out with a tense final episode, but I can't help feeling that the creators chose the least interesting direction to go in. We'll see next season. I always enjoy the show when I'm watching it, but there's a nagging sense that it's going around in circles.
Uncanny X-Men (2013) #1-18 written by Brian Bendis, drawn by Chris Bachalo: Speaking of which... This series follows the team of X-Men lead by Cyclops, and is supposed to focus on his "mutant revolution". In practice what they do is recruit new mutants and train them in a secret hideout, while talking about a revolution that is never adequately defined. They're not meaningfully different from the regular, non-fugitive X-Men. Like most Bendis books, it's a lot of fun in the moment, but it meanders in the long term. I get the feeling that the end of his run is going to be a gigantic mess of witty banter and unresolved plot threads.
WWE Smackdown episode 816: It's Wrestlemania week, so I'm super-excited about wrestling right now. So super-excited that I'm back to watching the WWE's b-show. It's usually redundant to Raw, and it's pre-taped, so it loses a lot of the spontaneity of a live show. But this episode was really good, especially the final match between Daniel Bryan and Sheamus, a violent brawl that ended with Sheamus covered in Bryan's blood. Blood! On fucking Smackdown! Also, Dean Ambrose got forced into a match for taking a shit in Kane's toilet, and that's the kind of petty motivation I can get behind.
Mothership Connection by Parliament: Classic 70s funk. It's not quite front-to-back classics, but it's not far off. Take a listen, it's the coolest album you'll hear in a long time. More on Parliament ring-leader George Clinton below.
WWE Raw episode 1,140: Ah, the post-Wrestlemania Raw is always a cracker, and this didn't disappoint. Brock Lesnar provided the segment of the year by flying off the handle and killing the announce team, and in any other week that would have netted it a Best. Special mention must be made of the crowd, who were hot throughout, and took the show over towards the end with a load of amusing (and some horrible) chants.
BEST: George Clinton live in concert: I saw funk legend George Clinton live at a small bar in Melbourne, and it was even better than I thought it would be. Clinton was in fine form, especially considering his age, and his afro-futurist funky grooves were amazing to hear live. The only disappointment was that he didn't look like George Clinton: he's lopped off his signature rainbow dreadlocks, and the outlandish outfits were nowhere to be seen. It's a small complaint, though, the guy still puts on a hell of a show.
ALSO BEST: Wrestlemania 31: Yeah, it's a double-best this week. I could not in good conscience do anything else, because both the George Clinton concert and Wrestlemania 31 were off the charts amazing. It's weird, because the build-up for Wrestlemania this year was terrible, but the actual show ended up being one of the best ever. Although there were no standout matches in terms of wrestling quality, the spectacle and theatrics more than made up for it. Rusev rode an actual, for real tank to the ring! Triple H dressed as a fucking Terminator carrying Terminator skull heads in his fists! And yes, the main event was perfectly executed, with the right man coming out on top. Seth Rollins was the MVP of 2014, and he really deserved to get the nod. Wrestling, guys; it usually sucks, but when it's great it's so great.
Showing posts with label Brian Michael Bendis. Show all posts
Showing posts with label Brian Michael Bendis. Show all posts
Sunday, April 5, 2015
Saturday, March 7, 2015
All The Things I Did: 7th March 2015
All the things, ranked from worst to best.
Resurrection season 2, episodes 11 to 13: I'll admit that I was getting into this as it started drawing more and more on apocalyptic imagery, and supposedly heading towards an epic climax. But if there's one thing I can't stand, it's an anticlimax. This series spent hours building up the premise that "if this baby is born it could mean the end of everything!!!!!". Of course the baby is born, millions of people return from the dead, and then the show cuts to a "one year later" transition and shows that everything is fine and dandy, aside from some irritating bits of anti-Returned legislation. It's the textbook example of how to get me to stop watching your show.
Marvel 75th Anniversary Celebration #1: This comic is mostly full of throwaway anthology stories. The most notable are a look at what the other Marvel characters were doing during the origin of the Fantastic Four (a story which contradicts continuity in a number of places) and a Darwyn Cooke adaptation of a prose story that was Stan Lee's first published work. The latter is a fine example of what a great artist like Cooke can do with an execrable piece of writing. It's fun, but not enough to save the rest of the forgettable material.
WWE Raw episodes 1,135 and 1,136: Speaking of forgettable... WWE is on the road to Wrestlemania, which is supposed to be the biggest event of the year, but you'd never know it. The same story beats are being hit week after week, the champion Brock Lesnar never bothers to show up, and the wrestling has been decent at best. Who would have thought that the highlight would be Curtis Axel, and his delusional #Axelmania rants?
The Walking Dead season 5, episodes 11 and 12: Interest is picking up here, as Rick and co. move into a community that, shockingly, seems perfectly safe. It looks to me as though they're heading for a story where we explore whether Rick's crew can still function in a normal society, and I'm cool with that. It's a change-up from the same old formula, and that's exactly what the show needed.
WWE Fastlane 2015: Most of the matches here were dull, and the crowd didn't help. Why would you pay to go to a wrestling event, and not react to anything? The last two matches saved it, though. John Cena and Rusev had a good back-and-forth match that went a long way to cementing Rusev as a legitimate main-event heel. The ending, with Rusev hitting a distracted Cena then making him pass out with the Accolade, was the right one, and sets up their Wrestlemania rematch nicely. The Roman Reigns/Daniel Bryan main event was a corker, but that's to be expected when Bryan is involved. And as much as I would rather see Bryan head to Wrestlemania as the top guy, I'm kind of glad that the WWE doubled down on Reigns in the face of negative crowd reactions. Bryan was the safe option, but they're trying to make a new star here, and even with Reigns's obviosu deficiencies that's commendable.
Thunderbolts #13-32 by Charles Soule and various artists: I hadn't really enjoyed the first twelve issues of this series by Daniel Way, but with Charles Soule taking over the book improved a lot. It got a genuine premise, for a start: the group do one mission for the Red Hulk, then one mission for another member, alternating each time. It also gained a sudden self-awareness of it's own absurdity, which it needed. You can't put so many grim killers on the same superhero team and expect the book to be taken seriously. The highlight of the run was the team's trip to Hell, which embraced the silliness of the situation and had some clever tie-ins to other Marvel books. The book tailed off a bit at the end, and got cancelled before it could get around to giving every character a mission, but it had its fun moments.
Powers: The Bureau #1-12 by Brian Michael Bendis and Mike Oeming: This series has been running for about 15 years now, but this is the first time I've tried it. The premise is that the world has superheroes, and the FBI deals with them. It's pretty simple, and the opening arc sets the tone immediately by featuring a case involving superpowered semen being sold on the black market, and some highly entertaining foul language. The plotting is a lot tighter than Bendis's mainstream work, and the characters are entertaining on a superficial level. I was with it until he introduced a pregnancy plot for the main character, had her lose the baby after being kicked in the stomach, then didn't mention it at all in the nest story. Perhaps it will be explored going forward, but it's not the sort of thing that I feel can be dropped like that.
The Sign of the Four by Arthur Conan Doyle: The second Sherlock Holmes novel is better than the first, mostly because Holmes is actually in it the whole way through. It still falls into the same narrative trap that A Study in Scarlet did, though: the last chapter is a massive block of exposition detailing how and why the murder was done. The plot is cliched from a modern perspective, being a murder mystery involving missing treasure and an island native, but Holmes himself remains entertaining enough.
Nova #1-16 by Jeph Loeb, Zeb Wells, Gerry Duggan and various artists: Young Sam Alexander finds his dad's space helmet and becomes the star-faring Nova, in a solid execution of the teen superhero formula. There's nothing new on display here, but it has a lot of exuberance that carries it through the standard tropes.
Foundation's Edge by Isaac Asimov: How often does someone create a sequel to their most famous work decades after the original, and pull it off? Not often, but here Asimov has managed to do it, writing a novel in 1982 that's just as good as the Foundation stories of the 1950s. Foundation is a hard sell as a series, being a story about a fellow who maps out the future using maths, then sets up two organisations whose goal was to see that the best possible future comes about over the coming centuries. This story involves the technologically superior First Foundation and the psychic Second Foundation being drawn into a conflict revolving around the mysterious planet Gaia, with the fate of the galaxy at stake. There are no space battles, or exciting things like that, just politics and space exploration. This is hard sci-fi, by one of the masters, and if you're into that sort of thing it's a series you really ought to read.
Resurrection season 2, episodes 11 to 13: I'll admit that I was getting into this as it started drawing more and more on apocalyptic imagery, and supposedly heading towards an epic climax. But if there's one thing I can't stand, it's an anticlimax. This series spent hours building up the premise that "if this baby is born it could mean the end of everything!!!!!". Of course the baby is born, millions of people return from the dead, and then the show cuts to a "one year later" transition and shows that everything is fine and dandy, aside from some irritating bits of anti-Returned legislation. It's the textbook example of how to get me to stop watching your show.
Marvel 75th Anniversary Celebration #1: This comic is mostly full of throwaway anthology stories. The most notable are a look at what the other Marvel characters were doing during the origin of the Fantastic Four (a story which contradicts continuity in a number of places) and a Darwyn Cooke adaptation of a prose story that was Stan Lee's first published work. The latter is a fine example of what a great artist like Cooke can do with an execrable piece of writing. It's fun, but not enough to save the rest of the forgettable material.
WWE Raw episodes 1,135 and 1,136: Speaking of forgettable... WWE is on the road to Wrestlemania, which is supposed to be the biggest event of the year, but you'd never know it. The same story beats are being hit week after week, the champion Brock Lesnar never bothers to show up, and the wrestling has been decent at best. Who would have thought that the highlight would be Curtis Axel, and his delusional #Axelmania rants?
The Walking Dead season 5, episodes 11 and 12: Interest is picking up here, as Rick and co. move into a community that, shockingly, seems perfectly safe. It looks to me as though they're heading for a story where we explore whether Rick's crew can still function in a normal society, and I'm cool with that. It's a change-up from the same old formula, and that's exactly what the show needed.
WWE Fastlane 2015: Most of the matches here were dull, and the crowd didn't help. Why would you pay to go to a wrestling event, and not react to anything? The last two matches saved it, though. John Cena and Rusev had a good back-and-forth match that went a long way to cementing Rusev as a legitimate main-event heel. The ending, with Rusev hitting a distracted Cena then making him pass out with the Accolade, was the right one, and sets up their Wrestlemania rematch nicely. The Roman Reigns/Daniel Bryan main event was a corker, but that's to be expected when Bryan is involved. And as much as I would rather see Bryan head to Wrestlemania as the top guy, I'm kind of glad that the WWE doubled down on Reigns in the face of negative crowd reactions. Bryan was the safe option, but they're trying to make a new star here, and even with Reigns's obviosu deficiencies that's commendable.
Thunderbolts #13-32 by Charles Soule and various artists: I hadn't really enjoyed the first twelve issues of this series by Daniel Way, but with Charles Soule taking over the book improved a lot. It got a genuine premise, for a start: the group do one mission for the Red Hulk, then one mission for another member, alternating each time. It also gained a sudden self-awareness of it's own absurdity, which it needed. You can't put so many grim killers on the same superhero team and expect the book to be taken seriously. The highlight of the run was the team's trip to Hell, which embraced the silliness of the situation and had some clever tie-ins to other Marvel books. The book tailed off a bit at the end, and got cancelled before it could get around to giving every character a mission, but it had its fun moments.
Powers: The Bureau #1-12 by Brian Michael Bendis and Mike Oeming: This series has been running for about 15 years now, but this is the first time I've tried it. The premise is that the world has superheroes, and the FBI deals with them. It's pretty simple, and the opening arc sets the tone immediately by featuring a case involving superpowered semen being sold on the black market, and some highly entertaining foul language. The plotting is a lot tighter than Bendis's mainstream work, and the characters are entertaining on a superficial level. I was with it until he introduced a pregnancy plot for the main character, had her lose the baby after being kicked in the stomach, then didn't mention it at all in the nest story. Perhaps it will be explored going forward, but it's not the sort of thing that I feel can be dropped like that.
The Sign of the Four by Arthur Conan Doyle: The second Sherlock Holmes novel is better than the first, mostly because Holmes is actually in it the whole way through. It still falls into the same narrative trap that A Study in Scarlet did, though: the last chapter is a massive block of exposition detailing how and why the murder was done. The plot is cliched from a modern perspective, being a murder mystery involving missing treasure and an island native, but Holmes himself remains entertaining enough.
Nova #1-16 by Jeph Loeb, Zeb Wells, Gerry Duggan and various artists: Young Sam Alexander finds his dad's space helmet and becomes the star-faring Nova, in a solid execution of the teen superhero formula. There's nothing new on display here, but it has a lot of exuberance that carries it through the standard tropes.
Foundation's Edge by Isaac Asimov: How often does someone create a sequel to their most famous work decades after the original, and pull it off? Not often, but here Asimov has managed to do it, writing a novel in 1982 that's just as good as the Foundation stories of the 1950s. Foundation is a hard sell as a series, being a story about a fellow who maps out the future using maths, then sets up two organisations whose goal was to see that the best possible future comes about over the coming centuries. This story involves the technologically superior First Foundation and the psychic Second Foundation being drawn into a conflict revolving around the mysterious planet Gaia, with the fate of the galaxy at stake. There are no space battles, or exciting things like that, just politics and space exploration. This is hard sci-fi, by one of the masters, and if you're into that sort of thing it's a series you really ought to read.
Friday, February 13, 2015
All The Things I Did: 13th February 2015
Here it is, for the third week running: everything I read, watched, played and listened to in the last week ranked from worst to best. And here's a warning in advance: there are spoilers for The Walking Dead's latest episode.
The Wheel of Time: Winter Dragon TV Pilot: Okay. This may take some explaining.
The Wheel of Time is a series of fantasy novels/paving slabs by Robert Jordan. It's immensely popular, and in the wake of Game of Thrones there has apparently been some interest from TV and movie studios. Unfortunately, many years ago Jordan sold the licensing rights to a company called Red Eagle, which has done nothing but cock things up ever since. The rights were set to return to Jordan's estate on February 11th, but lo and behold, look what showed up at 1.30 am on the FXX channel, right in the middle of the infomercials: a completely unheralded TV pilot. In other words, a hastily slapped together bit of telly made so that Red Eagle can retain the rights to the series.
This show has to be seen to be believed. It's one of the worst things I've seen in years, and I watch wrestling. Billy Zane is in this, playing one of the major villains of the series. Billy freaking Zane! It's a delight watching him attempt to deliver dialogue about "the nine Rods of Dominion" and the "One Power", all while smiling affably. Here's a link: http://io9.com/watch-that-weird-wheel-of-time-tv-show-pilot-here-1685036791. Check it out, Wheel of Time fans, and see just how bad an adaptation can be. This may be the worst thing on my list, but to be honest it's one of the things I enjoyed the most.
A Beard of Stars by Tyrannosaurus Rex: Okay, so bear with me: I'm going to write about some music here. This is not something I know how to do, so forgive me if I make even less sense than usual. I'm in uncharted waters.
With that out of the way, can we all agree that A Beard of Stars is an amazing, incredible album name? Okay? Good, because understanding how radical that name is will help you to know how let down I felt by this album. A few years ago I went through David Bowie's entire catalogue, and that was a positive life decision. T Rex is a band that often gets mentioned in the same breath as Bowie, so long as we're talking about his glam albums, so I thought I'd check them out. I went with A Beard of Stars because it had the best title (it was a toss-up between that and Futuristic Dragon), and I think I may have gone a little too early in their chronology. Instead of glam I got psychedelic folk rock, which is a genre I have an affinity for, but I didn't exactly warm to this album. Most of the melodies felt awkward, and I found Bolan's voice grating. Don't hate me, Bolan fans, I'll probably give one of their later albums a spin at some point.
Resurrection season 2, episodes 2 to 6: I'm still not loving this show, but I am getting a little more invested in it. Some of this is the growing focus on the conspiracy angle, which is more interesting than how such-and-such or so-and-so is feeling about their emotions this week, but mostly it comes down to Michelle Fairley, and her portrayal of the newly revived family grandmother. She's the most heinous character I've seen on TV in a while (and yes, I do watch Game of Thrones). Basically, I'm sticking with this to see her get set on fire or something.
The Walking Dead season 5, episode 9: The Walking Dead is back from its mid-season break, and it's also back to its old trick of killing off all the black men. Seriously, it's absurd how many have pegged it at this point. Have the creators not noticed, or are they taking the piss? There are still two left in the cast, but one has a gammy leg and the other is a nervous priest. The odds don't look good for either of them.
As for the episode itself, it was decent enough, but it still feels like the show is treading water, and has been since half-way through season 4. Rick and co. have decided to go to Washington, and see what's there, which I guess is a direction, but it's not really a compelling one. I think I know what's in Washington, anyway. I'll give you a hint: more zombies.
All-New X-Men #18-21 by Brian Michael Bendis and various artists: In the aftermath of Battle of the Atom (which I reviewed last week) the original X-Men have defected, and are now living with Cyclops and his team of revolutionaries. It's a move that makes sense, as it gives the core cast a whole new set of characters to interact with, and that's what Bendis does well. That's not the focus here, though. Instead we have the introduction of X-23 to the team (she's a female clone of Wolverine. Don't ask.), and a battle with the Purifiers, a group of militant religious mutant-haters. Bendis gets good material out of X-23, and particularly her rapport with the young Scott Summers. Not so much the religious fanatics, but those stories tend to be pretty one-note anyway. The series is holding up quite well so far. (I hate the new costumes, though. So much uglier than the 1960s designs.)
Morning Phase by Beck: Like everyone I saw Kanye making a knob of himself at the Grammys, but it did have the positive effect of reminding me that Beck is a thing that exists. His latest album is a mellow acoustic affair, with a lot of heartfelt, slightly melancholy tracks. I can see why Kanye dissed it: it's an album for introspective middle-aged white people. I liked it a lot.
Daredevil (2011 series) #1-21 by Mark Waid and Chris Samnee: I'm revisiting this run of comics before I read Waid's final issues, and I feel pretty safe in saying that this is the best super-hero comic of the last five years. Waid took the character back to his swashbuckling roots after a decade of unrelenting noirish misery, while never ignoring the many terrible traumas that exist in Matt Murdock's backstory. The action is sharp and inventive, the emotional beats hit hard, and the art is crisp and sublime. If you want to read some Daredevil before the TV series begins, this is the one. (Oh, okay, there's also the Frank Miller runs. And the Bendis run. And Brubaker. But I like this one the best. It has Stilt-Man.)
The Wheel of Time: Winter Dragon TV Pilot: Okay. This may take some explaining.
The Wheel of Time is a series of fantasy novels/paving slabs by Robert Jordan. It's immensely popular, and in the wake of Game of Thrones there has apparently been some interest from TV and movie studios. Unfortunately, many years ago Jordan sold the licensing rights to a company called Red Eagle, which has done nothing but cock things up ever since. The rights were set to return to Jordan's estate on February 11th, but lo and behold, look what showed up at 1.30 am on the FXX channel, right in the middle of the infomercials: a completely unheralded TV pilot. In other words, a hastily slapped together bit of telly made so that Red Eagle can retain the rights to the series.
This show has to be seen to be believed. It's one of the worst things I've seen in years, and I watch wrestling. Billy Zane is in this, playing one of the major villains of the series. Billy freaking Zane! It's a delight watching him attempt to deliver dialogue about "the nine Rods of Dominion" and the "One Power", all while smiling affably. Here's a link: http://io9.com/watch-that-weird-wheel-of-time-tv-show-pilot-here-1685036791. Check it out, Wheel of Time fans, and see just how bad an adaptation can be. This may be the worst thing on my list, but to be honest it's one of the things I enjoyed the most.
A Beard of Stars by Tyrannosaurus Rex: Okay, so bear with me: I'm going to write about some music here. This is not something I know how to do, so forgive me if I make even less sense than usual. I'm in uncharted waters.
With that out of the way, can we all agree that A Beard of Stars is an amazing, incredible album name? Okay? Good, because understanding how radical that name is will help you to know how let down I felt by this album. A few years ago I went through David Bowie's entire catalogue, and that was a positive life decision. T Rex is a band that often gets mentioned in the same breath as Bowie, so long as we're talking about his glam albums, so I thought I'd check them out. I went with A Beard of Stars because it had the best title (it was a toss-up between that and Futuristic Dragon), and I think I may have gone a little too early in their chronology. Instead of glam I got psychedelic folk rock, which is a genre I have an affinity for, but I didn't exactly warm to this album. Most of the melodies felt awkward, and I found Bolan's voice grating. Don't hate me, Bolan fans, I'll probably give one of their later albums a spin at some point.
Resurrection season 2, episodes 2 to 6: I'm still not loving this show, but I am getting a little more invested in it. Some of this is the growing focus on the conspiracy angle, which is more interesting than how such-and-such or so-and-so is feeling about their emotions this week, but mostly it comes down to Michelle Fairley, and her portrayal of the newly revived family grandmother. She's the most heinous character I've seen on TV in a while (and yes, I do watch Game of Thrones). Basically, I'm sticking with this to see her get set on fire or something.
The Walking Dead season 5, episode 9: The Walking Dead is back from its mid-season break, and it's also back to its old trick of killing off all the black men. Seriously, it's absurd how many have pegged it at this point. Have the creators not noticed, or are they taking the piss? There are still two left in the cast, but one has a gammy leg and the other is a nervous priest. The odds don't look good for either of them.
As for the episode itself, it was decent enough, but it still feels like the show is treading water, and has been since half-way through season 4. Rick and co. have decided to go to Washington, and see what's there, which I guess is a direction, but it's not really a compelling one. I think I know what's in Washington, anyway. I'll give you a hint: more zombies.
All-New X-Men #18-21 by Brian Michael Bendis and various artists: In the aftermath of Battle of the Atom (which I reviewed last week) the original X-Men have defected, and are now living with Cyclops and his team of revolutionaries. It's a move that makes sense, as it gives the core cast a whole new set of characters to interact with, and that's what Bendis does well. That's not the focus here, though. Instead we have the introduction of X-23 to the team (she's a female clone of Wolverine. Don't ask.), and a battle with the Purifiers, a group of militant religious mutant-haters. Bendis gets good material out of X-23, and particularly her rapport with the young Scott Summers. Not so much the religious fanatics, but those stories tend to be pretty one-note anyway. The series is holding up quite well so far. (I hate the new costumes, though. So much uglier than the 1960s designs.)
Morning Phase by Beck: Like everyone I saw Kanye making a knob of himself at the Grammys, but it did have the positive effect of reminding me that Beck is a thing that exists. His latest album is a mellow acoustic affair, with a lot of heartfelt, slightly melancholy tracks. I can see why Kanye dissed it: it's an album for introspective middle-aged white people. I liked it a lot.
Daredevil (2011 series) #1-21 by Mark Waid and Chris Samnee: I'm revisiting this run of comics before I read Waid's final issues, and I feel pretty safe in saying that this is the best super-hero comic of the last five years. Waid took the character back to his swashbuckling roots after a decade of unrelenting noirish misery, while never ignoring the many terrible traumas that exist in Matt Murdock's backstory. The action is sharp and inventive, the emotional beats hit hard, and the art is crisp and sublime. If you want to read some Daredevil before the TV series begins, this is the one. (Oh, okay, there's also the Frank Miller runs. And the Bendis run. And Brubaker. But I like this one the best. It has Stilt-Man.)
Friday, February 6, 2015
All The Things I Did: 6th February 2015
Here we go again, with all of the media I finished in the last week, ranked from worst to best:
WORST: Resurrection season 2, episode 1: Now, technically this isn't a bad show. It's a perfectly well-executed mix of small-town drama and government conspiracy, revolving around the premise of dead people returning to life. It's decent, but it's exactly the sort of thing I dislike. Mostly it involves miserable people standing around and talking about their emotions, and let's just say that's not something I go to for entertainment. It's especially not something I ever wanted to see from Kurtwood Smith, aka That 70s Dad aka the villain from Robocop. Still, my wife likes it, and I don't find it offensively bad. For me, it's filler until Game of Thrones and The Walking Dead return.
Tarzan and the Golden Lion by Edgar Rice Burroughs: This is the ninth Tarzan book by Burroughs, and it doesn't bring anything new to the table. Like most of Burroughs' work it's plotted rather shambolically, though I must say it hangs together better than many of his other books. The main story involves a group of ruthless treasure seekers who come to Africa with a Tarzan impersonator. In typical Burroughs fashion there's a lengthy sequence in which Tarzan finds a hidden valley ruled by sentient gorillas and overthrows their society, and it has no bearing on the main storyline at all. Still, despite its shortcomings its a diverting adventure yarn that doesn't outstay its welcome. It's exactly the sort of unchallenging material that I find perfect for audiobooks.
X-Men: Battle of the Atom by Brian Michael Bendis, Jason Aaron, Brian Wood (writers) and Frank Cho, Stuart Immonen, Chris Bachalo (artists), among others: This story was created to celebrate the 50th anniversary of the X-Men in 2013, but in many ways it's decided to celebrate the worst aspects of the franchise. The premise is pretty gonzo, but I'll try to outline it as simply as I can: the original X-Men have been brought forward from the past, which is causing damage to the timestream. Two rival X-Men teams come from the future with opposing views on how to solve the problem, while the X-Men from the present are caught in the middle. Not too hard to figure out the problem with this story, is it? Surprisingly there are quite a lot of good character moments, and it begins well with the original X-Men on the run, but by the end it gets swamped by the sheer number of characters, many of whom only exist for this story. The number of characters isn't the only problem, as the constant switching between writers and artists results in a jarring read at times. That said, this is exactly the kind of story I love. I didn't care for the execution so much, but the madcap scope of it is right in my wheelhouse.
WWE Raw episode 1,132: It's that rare gem, a really rather good episode of Raw. The matches were mostly high quality, the storyline segments made sense, and there was nothing that left me shaking my head in disbelief. It's a low bar to clear, but it's shocking how often the WWE fails to do just that. Special props to Damien Sandow, for making me laugh simply by standing still.
All-New X-Men #1-15 by Brian Michael Bendis, Stuart Immonen and others: These are the comics that set up the premise of Battle of the Atom (described above). With the X-Men in an ideological split, the Beast decides to bring the original team from the past to show Cyclops the error of his ways. What results is some quality interpersonal drama, as the original teenage X-Men react to all the terrible things that have happened to them over the course of five decades worth of comics, and everyone else reacts to having these kids around. Bendis excels at this kind of stuff, even if I do find his pacing a little too slow at times.
WORST: Resurrection season 2, episode 1: Now, technically this isn't a bad show. It's a perfectly well-executed mix of small-town drama and government conspiracy, revolving around the premise of dead people returning to life. It's decent, but it's exactly the sort of thing I dislike. Mostly it involves miserable people standing around and talking about their emotions, and let's just say that's not something I go to for entertainment. It's especially not something I ever wanted to see from Kurtwood Smith, aka That 70s Dad aka the villain from Robocop. Still, my wife likes it, and I don't find it offensively bad. For me, it's filler until Game of Thrones and The Walking Dead return.
Tarzan and the Golden Lion by Edgar Rice Burroughs: This is the ninth Tarzan book by Burroughs, and it doesn't bring anything new to the table. Like most of Burroughs' work it's plotted rather shambolically, though I must say it hangs together better than many of his other books. The main story involves a group of ruthless treasure seekers who come to Africa with a Tarzan impersonator. In typical Burroughs fashion there's a lengthy sequence in which Tarzan finds a hidden valley ruled by sentient gorillas and overthrows their society, and it has no bearing on the main storyline at all. Still, despite its shortcomings its a diverting adventure yarn that doesn't outstay its welcome. It's exactly the sort of unchallenging material that I find perfect for audiobooks.
X-Men: Battle of the Atom by Brian Michael Bendis, Jason Aaron, Brian Wood (writers) and Frank Cho, Stuart Immonen, Chris Bachalo (artists), among others: This story was created to celebrate the 50th anniversary of the X-Men in 2013, but in many ways it's decided to celebrate the worst aspects of the franchise. The premise is pretty gonzo, but I'll try to outline it as simply as I can: the original X-Men have been brought forward from the past, which is causing damage to the timestream. Two rival X-Men teams come from the future with opposing views on how to solve the problem, while the X-Men from the present are caught in the middle. Not too hard to figure out the problem with this story, is it? Surprisingly there are quite a lot of good character moments, and it begins well with the original X-Men on the run, but by the end it gets swamped by the sheer number of characters, many of whom only exist for this story. The number of characters isn't the only problem, as the constant switching between writers and artists results in a jarring read at times. That said, this is exactly the kind of story I love. I didn't care for the execution so much, but the madcap scope of it is right in my wheelhouse.
WWE Raw episode 1,132: It's that rare gem, a really rather good episode of Raw. The matches were mostly high quality, the storyline segments made sense, and there was nothing that left me shaking my head in disbelief. It's a low bar to clear, but it's shocking how often the WWE fails to do just that. Special props to Damien Sandow, for making me laugh simply by standing still.
All-New X-Men #1-15 by Brian Michael Bendis, Stuart Immonen and others: These are the comics that set up the premise of Battle of the Atom (described above). With the X-Men in an ideological split, the Beast decides to bring the original team from the past to show Cyclops the error of his ways. What results is some quality interpersonal drama, as the original teenage X-Men react to all the terrible things that have happened to them over the course of five decades worth of comics, and everyone else reacts to having these kids around. Bendis excels at this kind of stuff, even if I do find his pacing a little too slow at times.
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